Sui gessi nell’Ottocento. I Galati di Venezia

Myriam Pilutti Namer

Abstract

This paper retraces the story of the plaster casts of the three sculptures of the so-called Pergamene «Little Barbarians » preserved at the National Archaeological Museum of Venice. Commissioned in 1865 by Heinrich Brunn, the director of the German Institute.

Parole chiave

• Myriam Pilutti Namer
• scultura
• sculpture
• Venezia