Visual Ambiguity in the oeuvre of the Gela Painter: A New lekythos from Thessaly

Katerina Volioti

pp. 91-101, Tav. 1

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This paper presents a previously unpublished Attic lekythos and discusses visual ambiguity as an intentional drawing style used by a vase painter who conceptualised the many possible relationships between pot and user, object and subject. The Gela Painter […]