Puzzling postures and their meanings: the case of the L. M. Painter and his associates

Sonia Klinger

pp. 43-48, Figg. 7

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This paper considers the questíon of postures on some scenes composed of single figures painted by the Painter of the Louvre Maid (the L. M. Painter) and his associates. The paper begins by attributing to one hand in this Attic workshop a prevíously unpub